Cantautores, celtas, punks y japoneses en Popular Music

Popular Music. Volume 21, Issue 02 (May 2002). ARTICLES: Chris Tinker: 'A singer-songwriter's view of the French record industry: the case of Léo Ferré'; Jason Middleton & Roger Beebe: 'The racial politics of hybridity and neo-eclecticism in contemporary popular music'; Lloyd Whitesell: 'Harmonic palette in early Joni Mitchell'; Hugh De Ferranti: 'Japanese music can be popular'; Allan Moore: 'Authenticity as authentication'; Alan O'Connor: 'Local scenes and dangerous crossroads: punk and theories of cultural hybridity'. BOOK REVIEW. Allan Moore: 'The Musical Work – Reality or Invention?' Edited by Michael Talbot. Liverpool University Press, 2000. vii + 260 pp.; Marcia M. Loo: 'Shaping Society through Dance: Mestizo Ritual Performance in the Peruvian Andes'. By Zoila S. Mendoza. Chicago and London: University of Chicago Press, 2000. 285 pp.; Hugh Dauncey: ''Chanson: the French Singer-Songwriter from Aristide Bruant to the Present Day'. By Peter Hawkins. Aldershot: Ashgate, 2000. xi + 234 pp.; Gerry Smyth: 'The Complete Guide to Celtic Music: From the Highland Bagpipe and Riverdance to U2 and Enya'. By June Skinner Sawyers. London: Aurum Press, 2000. ix + 318 pp. Cambridge: Cambridge University Press, 2002.