Estados Unidos

Visual clichés and inspiring musicians

Claudio Vellutini
Visual clichés and inspiring musicians
Chicago, viernes, 9 de enero de 2009.
The Civic Opera House. Giacomo Puccini, Madama Butterfly. Harold Prince, original production. Vincent Liotta, stage director. Clarke Dunham, set designer. Florence Klotz, costume designer. Ken Billington, original lighting designer. Christine Binder, lighting designer. Patricia Racette (Cio-Cio-San), Frank Lopardo (Benjamin F. Pinkerton), James Westman (Sharpless), Katherine Goeldner (Suzuki), David Cangelosi (Goro), Craig Irvin (The Imperial Commissioner), Daniel Billings (The Official Registrar), Paul Corona (Bonzo), Corey Crider (Prince Yamadori), Amber Wagner (Kate Pinkerton), India Rose Renteira (Butterfly’s child). Orchestra and Chorus of the Lyric Opera of Chicago. Donald Nally, chorus master. Sir Andrew Davis, conductor

With Madama Butterfly, Puccini created a very delicate work. On one hand, he didn’t abandon the tradition of Italian melodramma; on the other, he enriched his musical language by giving in to the fashion of exoticism that had strongly influenced European fin de siècle art and culture. Although some melodic and harmonic devices Puccini used draw upon oriental music, his goal was not to provide Italian audience with actual Japanese music, nor did the idea of Japan portrayed in the opera correspond to any historical truth. This has often led to the opinion that Puccini’s opera represented the naive image that a Western tourist might have had of Japan, with its architecture, its gardens with cherry trees, small bridge, and statues of local Gods. This can be partially true in the first act, where a white male character, American Marine…

Contenido exclusivo para suscriptores

Inicia sesión o crea tu cuenta gratuita para desbloquear hasta 10 lecturas mensuales de contenido reservado.

Iniciar sesión Crear cuenta
Comentarios
Para escribir un comentario debes identificarte o registrarte.
🎂 Mundoclasico.com cumple 30 años el 1 de mayo de 2026

Desde 1996, informamos con independencia sobre música clásica en español.

Para disfrutar plenamente de nuestros contenidos y servicios, regístrate ahora. Solo lleva un minuto y mejora tu experiencia como lector.

🙌 Registrarse ahora