Estados Unidos

An opera tailored to the singers

Claudio Vellutini
Wolfgang Amadeus Mozart asiste a una representación de El rapto en el serrallo (1789)
Wolfgang Amadeus Mozart asiste a una representación de El rapto en el serrallo (1789) © Autor desconocido / Creative Commons
Chicago, lunes, 16 de marzo de 2009.
Lyric Opera. Wolfgang Amadeus Mozart. Die Entführung aus dem Serail. Chas Rader-Shieber, stage director. David Zinn, stage and costume designer. Christopher Akerlind, lighting designer. Erin Wall (Konstanze), Matthew Polenzani (Belmonte), Aleksandra Kurzak (Blonde), Andrea Silvestrelli (Osmin), Steve Davislim (Pedrillo), David Steiger (Pasha Selim). Orchestra and Chorus of the Lyric Opera of Chicago. Donald Nally, chorus master. Sir Andrew Davis, conductor.

Mozart composed his first Viennese opera, The Abduction from the Seraglio, for a cast of outstanding singers. His primadonna was Caterina Cavalieri, a young and promising soprano who studied with Hofkapellmeister Antonio Salieri, and for whom the composer tailored the role of Konstanze. Mozart, who praised her “agile voice” in a letter to his father, wrote three tremendously difficult arias for her which require at the same time complete mastery of coloratura singing, wide vocal range, intense lyricism and remarkable vocal power to face the massive orchestration of Konstanze’s well-known aria 'Marten aller Arten'. Her partner on stage was the tenor Valentin Adamberger, one of Mozart’s closest friends in Vienna. He was trained as a singer according to the precepts of the Italian singing school, which enabled him to make a career in Italy…

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