El intérprete como investigador

Notas

Ghent, 17-18.09.2009. [ORCiM] Research Festival. Orpheus Instituut. Ponencias de Alessandro Cervino: Towards a performance of Elliott Carter’s Piano Sonata; Tania Lisboa: The fading memory: recalling Bach without practice; Paulo Pereira de Assis: Beyond Urtext: a dynamic approach to musical editing; Mieko Kanno and Juan Parra Cancino: Cage’s Freeman Etudes; Kathleen Coessens, Darla Crispin and Anne Douglas: The Artistic Turn; Paulo Pereira de Assis: A Critical Edition of Luigi Nono’s ...sofferte onde serene... for piano and tape (1974-77); Magnus Andersson: Listening beyond Messiaen’s Works; Mieko Kanno and Juan Parra Cancino: On the development of PLP_I; Maria Lettberg and Andrea Schmidt: Mysterium; Tania Lisboa: The Romantic Cello: exploring left-hand expression; Darla Crispin: Re-hearing Anton Webern. Some postmodern thoughts about the Piano Variations; Schönberg and the Alternatives: ‘Unfinished’ Performance; Maria Lettberg: Learning and performing Alfred Schnittke’s Piano Trio. Ocupación 90%