Estados Unidos

Sounds and atmospheres of Britten’s enchanted forest

Claudio Vellutini
Sounds and atmospheres of Britten’s enchanted forest
Chicago, sábado, 20 de noviembre de 2010.
Civic Opera. Benjamin Britten. A Midsummernight’s Dream. Neil Armfield, director. Dale Ferguson, set and costume designer. Damien Cooper, lighting designer. David Daniels (Oberon), Anna Christie (Tytania), Shawn Mathey (Lysander), Elizabeth DeShong (Hermia), Lucas Meachem (Demetrius), Erin Wall (Helena), Peter Rose (Bottom), Sam Handley (Quince), Keith Jameson (Flute), Paul Scholten (Starveling), James Kryshak (Snout), Wilbur Pauley (Snug), Esteban Andres Cruz (Puck), Kenny Lumb (Cobweb), Anna Stephan (Mustardseed), Benjamin Hoppe (Moth), Craig Irvin (Theseus), Kelley O’Connor (Hippolyta). Anima – Young Singers of Greater Chicago. Emily Ellsworth, children’s chorus master. Rory MacDonald, conductor

By the time Benjamin Britten composed A Midsummer Night’s Dream, he had been a successful opera composer for over fifteen years. Many of his major dramatic works had established his reputation as one of the most original British artists of his generation, one of the few to popularize opera in English. He did so by choosing subjects derived from well-known writers such as Henry James and Herman Melville. Yet, he had never faced the challenge of writing an opera based on a Shakespeare text until 1959, when he was commissioned to write a new work to be performed the following year at the Aldeburgh Festival. Due to the short deadline for the composition, Britten had to depart from his usual working habits: Instead of requesting a new libretto to be written from scratch, he decided to revise Shakespeare’s A Midsummer Night’s Dream turning it…

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