Estudio sobre la recepción de Boccherini, Haydn y Beethoven en España a principios del S. XIX

A partir de su estudio sistemático del  fondo de partituras de los Adalid en A Coruña, Carolina Queipo analiza el proceso de recepción, lo pone en relación con la recepción española de Haydn y Beethoven y demuestra de modo irrefutable la recepción española de Boccherini en la época de Fernando VII

 

 

In addition to the dearth of scholarly editions of Boccherini’s music, there is a correspondingly large gap in the music-historical and musicological studies dedicated to the composer. Having access to a reliable score – for study and/or performance – is only one aspect of the process of forming an adequate assessment of the composer. Equally essential, if we wish to reach a full understanding of the composer and his period, is also to consider what has been lost. As a result, the Centro Studi Opera omnia Luigi Boccherini-Onlus has decided to facilitate an ongoing account of the international debate on the subject. The Boccherini Studies will carefully monitor the results of scholars’ research and will also provide updates on the state of the sources.