Estados Unidos

A very sexy strip–tease

Luis Gutiérrez Ruvalcaba
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Nueva York, lunes, 15 de marzo de 2004.
Metropolitan Opera House. Richard Strauss's 'Salome'. Karita Mattila (Salome). Larissa Diadkova (Herodias). Allan Glassman (Herod). Matthew Polenzani (Narraboth). Albert Dohmen (Jokanaan). Metropolitan Opera House Choir and Orchestra. Valery Gergiev, conductor. Production: Jürgen Flimm. Set and Costume Designer: Santo Loquasto. Lighting Designer: James F. Ingalls. Choreographer: Doug Varone. New Production Premiere

The new production of ‘Salome’ at the Metropolitan Opera ended with a lying down ‘Salome’ waiting, senseless, for the executioner to fulfill the order of the ‘Tetrarch’. This end was accompanied by a thunderous applause to the protagonist, and I want to think, to the conductor and the orchestra, and with a mix of applause, bravos, and booing to the production team.Karita Mattila was a splendid ‘Salome’. I don’t care, as is the case of some people, if her voice is not loud. She has the ability to project her voice over an orchestra of one hundred and five instruments, and not only that, but always on pitch, always with good diction, and always transmitting her feelings. But her qualities are not only vocal; she is a totally committed actress that understand that opera is not concert or recital, it has to be enacted. Even if she normally…

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