Reino Unido

A dark, but human Magic Flute (though not quite as originally announced)

Gregory W. Bloch
A dark, but human Magic Flute (though not quite as originally announced)
London, sábado, 26 de febrero de 2005.
Royal Opera House Covent Garden. Wolfgang Amadeus Mozart, Die Zauberflöte. David McVicar, director. Lee Blakeley, revival director. John F. Macfarlane, designer. Paule Constable, lighting designer. Leah Hausman, choreographer. Robert Murray (Tamino), Katie van Kooten (Pamina), Simon Keenlyside (Papageno), Anna-Kristiina Kaappola (Flaming-Star Queen), Gail Pearson (Papagena), Jan-Hendrik Rootering (Sarastro), Gillian Webster (First Lady), Clarissa Meek (Second Lady), Yvonne Howard (Third Lady), John Graham-Hall (Monostatos), Alan Oke (First Man in Armor), Graeme Broadbent (Second Man in Armor), Kyle Ketelsen (Speaker of the Temple), Andrew H. Sinclair (First Priest), Matthew Rose (Second Priest), Robert Grisbrook (First Boy), Andrew Bullmore (Second Boy), Jamie Manton (Third Boy). The Royal Opera Chorus. Renata Balsadonna, Chorus Director. The Orchestra of the Royal Opera House. Charles Mackerras, conductor

Those dreaded words, “The management regrets to inform you,” when pronounced from in front of the curtain before the performance begins, can be the cause of great disappointment. But they can also transform an otherwise rather predictable evening in the theater into an experience more resembling a tightrope act at the circus. Will the understudy remember the blocking? Will the understudy follow the conductor’s tempos? Will the costumes fit? The audience holds it breath...

This was the feeling at last Saturday’s performance of Die Zauberflöte, when both Rebecca Evans (Pamina) and Will Hartmann (Tamino) were ill. Pamina was sung by the American soprano Katie van Kooten, whose other roles at Covent Garden this season include Kate Pinkerton and Magda in La Rondine. The role of Tamino was taken by the Scottish tenor Robert Murray, who had been…

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