Reino Unido

An evening of two halves

Ditlev Rindom
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Londres, viernes, 3 de abril de 2009.
The Royal Opera House, Covent Garden. Henry Purcell, Dido and Aeneas. George Frederic Handel, Acis and Galatea. Wayne McGregor, director and choreographer. Laila Diallo, assistant director and assistant choreographer. Hildegard Bechtler, set designs. Fotini Dimou, costume designs (Dido and Aeneas). Lucy Carter, lighting design. Mark Hatchard, projection design (Dido and Aeneas). Lucy Crowe (Belinda), Sarah Connolly (Dido), Anita Watson (Second Woman), Lucas Meacham (Aeneas), Sara Fulgoni (Sorceress), Eri Nakamura (First Witch), Pumeza Matshikiza (Second Witch), Iestyn Davies (Spirit), Ji-Min Park (Sailor). Danielle de Niese (Galatea), Charles Workman (Acis), Paul Agnew (Damon), Matthew Rose (Polyphemus), Ji-Min Park (Coridon). Dancers of The Royal Ballet. The Royal Opera Extra Chorus. Stephen Westrop, chorus master. The Orchestra of the Age of Enlightenment. Christopher Hogwood, conductor

The Royal Opera House’s latest production could be seen as a meditation on the idea of the masque. Both of the composers featured experimented with the genre -Purcell in semi-operas such as King Arthur, Handel in his two takes on the Ovidian tale- and the form itself was an important precedent for the operas which provide the mainstay of Covent Garden’s theatrical entertainment. In celebration of the two composers’ respective anniversaries, resident choreographer Wayne McGregor has been commissioned to produce a staging of Acis and Galatea which, like his earlier version of Dido and Aeneas, draws together the combined talents of the Royal Opera and Royal Ballet in a multimedia collaboration. The cumulative effect, one suspects, was intended to be a tribute to British talent across the ages -though the sources in both cases are classical,…

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