Reino Unido

Covent Garden never lets Rossini down

Enrique Sacau
Covent Garden never lets Rossini down
Londres, lunes, 17 de diciembre de 2007.
The Royal Opera House, Covent Garden. Gioachino Rossini, La Cenerentola. Moshe Leiser and Patrice Caurier, directors. Christian Fenouillat, set designer. Agostino Cavalca, costume designer. Christopher Forey, lighting designer. Elena Xanthoudakis (Clorinda), Leah-Marian Jones (Tisbe), Magdalena Kozená (Angelina), Lorenzo Regazzo (Alidoro), Alessandro Corbelli (Don Magnifico), Toby Spence (Don Ramiro), Stéphane Degout (Dandini). The Royal Opera Orchestra & Chorus. Renato Balsadonna, chorus director. Evelino Pidò, conductor.

After the celebrated production of Rossini’s La Cenerentola designed by Els Comediants for the Welsh National Opera a month ago, the stakes were high in Britain’s operatic scene. Catalan theatre group Els Comediants succeeded in putting on an entertaining show portraying this opera as a fairy tale. To do so, they even resorted to using men dressed up as mice -an ironic reference to Disney’s Cinderella. That was a bit too much. The function of these men was twofold. First, they helped moving furniture around and changing the sets, which was good. Second, they eased the consciences of Els Comediants who, as is almost always the case with theatre directors who also do opera, were obviously anxious about the statism of the operatic genre and filled the stage with unnecesary elements, moving them around relentlessly. That was not good.Moshe…

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