Reino Unido

The chicken or the egg

Enrique Sacau
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London, viernes, 31 de octubre de 2008.
The Royal Opera House, Covent Garden. Gioachino Rossini, Matilde di Shabran. Mario Martone, director. Sergio Tramonti, set designs. Ursula Patzak, costume designs. Pasquale Mari, lighting. Aleksandra Kurzak (Matilde), Juan Diego Flórez (Corradino), Mark Beesley (Raimondo), Vesselina Kasarova (Edoardo), Marco Vinco (Aliprando), Alfonso Antoniozzi (Isodoro), Enkelejda Shkosa (Contessa d’Arco), Carlo Lepore (Ginardo), Robert Anthony Gardiner (Egoldo), Bryan Secombe (Rodrigo). Orchestra & Chorus of the Royal Opera House. Renato Balsadonna, Chorus master. Carlo Rizzi, conductor

For hundreds of years we have been debating what came first, the chicken or the egg. In the interval of The Royal Opera’s new production of Matilde di Shabran somebody on the escalator attempted to use this as a metaphor for the relationship between Juan Diego Flórez and this piece by Rossini. Whilst it was Matilde which provided a platform for Flórez 's leap to fame at Pesaro, the opera itself is now being offered a renewed degree of attention as a vehicle for Florez's unique talents. In the case of Covent Garden, first came Juan Diego and then, to fit his capabilities and skills, Matilde was added to the opera season. Were it not for him, no artistic director would bother to put on this three-and-a-half-hour long opera, the first act of which lasts two hours (as long as Parsifal’s). Matilde's gorgeous music notwithstanding, the opera…

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