Reino Unido

When everything is good

Enrique Sacau
When everything is good
Londres, domingo, 3 de mayo de 2009.
The Royal Opera House, Covent Garden. Richard Wagner, Lohengrin. Elijah Moshinsky, director. Andrew Sinclair, associate director. John Napier, designs. Oliver Fenwick, light design. Eleanor Fazan, movement director. Sue Nye, assistant movement director. William Hobbs, fight director. Boaz Daniel (Herald), Kwangchul Youn (Heinrich I), Falk Struckmann (Friedrich von Telramund), Petra Lang (Ortrud), Edith Haller (Elsa von Brabant), Johan Botha (Lohengrin). Orchestra and Chorus of the Royal Opera House, Covent Garden. Renato Balsadonna, chorus director. Semyon Bychkov, conductor

In her recent interview with Mundoclasico.com Elaine Padmore, [read] director of opera at Covent Garden, rightly said that the London theatre tries to find the balance between modern and classic productions. She also mentioned that the House still has “a few of [the] older productions by people who were cutting edge in their time, like Elijah Moshinsky”. With the performance within one month of Moshinsky’s Il trovatore, [read] very negatively reviewed by your correspondent, and Lohengrin, this director seems to be enjoying a honey moon or, rather, a 'Silver Anniversary' with the Royal Opera. His boring, to say the least, Il trovatore was originally premiered in 2001, and already looked very old. This Lohengrin is thirty-two years old. Yes, thirty-two, and it shows. However, in contrast with Il trovatore, one can well imagine how it was…

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