Alemania

Harmony and the Spheres

Jesse Simon
Harmony and the Spheres
Berlín, miércoles, 11 de octubre de 2017.
Pierre Boulez Saal. Jürgen Holtz (Luther). Koniordou (Woman in Black). George Sendjuk (A Boy, A Bird). Rundfunkchor Berlin. Gijs Leenaars, conductor. Robert Wilson, director. Luther: dancing with the gods. Knut Nystedt: Immortal Bach (1988). J.S. Bach: Der Geist hilt unser Schwachheit auf, BWV 226- J.S. Bach: Jesu, meine Freude, BWV 227 J.S. Bach: Komm, Jesu, komm, BWV 229. Steve Reich: Clapping Music (1972). J.S. Bach: Fürchte dich nicht, ich bin bei dir, BWV 228.

In Germany, the five hundredth anniversary of Martin Luther’s Disputatio is being celebrated in numerous and diverse ways, from the introduction of the Playmobil Martin Luther figure (I’m not making this up; it really exists), to countless performances of Mendelssohn’s Fifth Symphony, to a special one-off bank holiday at the end of October. For many choirs, a programme devoted to Bach would seem the most obvious way to mark the occasion, but the Rundfunkchor Berlin have gone several steps further: working in collaboration with Robert Wilson, they created an immersive experience somewhere near the midpoint of choral concert, musical theatre and performance piece. Luther: dancing with the gods, which ran for a week this October at the Pierre Boulez Saal, was an intriguing and often wonderful experiment; if it was not always able to locate…

Contenido exclusivo para suscriptores

Inicia sesión o crea tu cuenta gratuita para desbloquear hasta 10 lecturas mensuales de contenido reservado.

Iniciar sesión Crear cuenta
Comentarios
Para escribir un comentario debes identificarte o registrarte.
🎂 Mundoclasico.com cumple 30 años el 1 de mayo de 2026

Desde 1996, informamos con independencia sobre música clásica en español.

Para disfrutar plenamente de nuestros contenidos y servicios, regístrate ahora. Solo lleva un minuto y mejora tu experiencia como lector.

🙌 Registrarse ahora