Several years
into his tenure as chief conductor of the Berlin Philharmonic, Kirill Petrenko
remains something of an enigma. On the podium he is a confident, energetic
presence, clearly delighting in the precise musicianship of the orchestra
before him. There is little sense of turmoil or profundity in his demeanour:
regardless of the music being performed, he seems to enjoy the act of making
it. He has displayed an affinity for music from the early-twentieth century,
but he has also presented Russian works and grand classics of the German
repertoire with equal care. Regardless of what might be on the programme in a
given evening, one can be fairly certain of hearing performances of uniformly
high-quality.
Why, then, does
he seem enigmatic? Because after so many scrupulously-prepared,
brilliantly-executed performances of diverse works…
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