If the season opening concert of the Berlin
Philharmonic has traditionally marked the end of summer and the beginning of
the new season in Berlin, the concerts of the past few years have been coloured
by varying degrees of pandemic-related uncertainty: between reduced capacity,
mask policies and pre-concert tests, recent seasons have opened with a sense of
living in extraordinary times. This year, however, felt curiously normal. There
was no one scanning vaccine passports at the door, most of the audience had
(alas) dispensed with their masks, and when the orchestra took the stage they
were greeted with applause from a conspicuously full house. For the first time
in three years, it felt like business as usual.
The evening’s programme consisted of a
single work, Mahler’s Seventh Symphony, the same piece chosen by Sir
Simon Rattle for the…
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