This
was, as they say, the real thing. Although Sir Antonio Pappano and
the strings of Rome’s Accademia Nazionale di Santa Cecilia
delivered a perfectly good performance of Schönberg’s Verklärte
Nacht (in the revised version for string orchestra), it was the
towering presence of Busoni’s Piano Concerto, with Igor
Levit as soloist, that transformed the evening from merely pleasant
to wholly unforgettable.
Those unfamiliar with the work were probably
converted, while those who worried that they might go their lives
without ever hearing the concerto in a real concert hall must have
been close to ecstatic: between Sir Antonio’s vivid conducting and
Mr Levit’s herculean feats of pianistic brilliance it was the kind
of once-in-a-lifetime performance that left no possibility of being
unimpressed or unmoved.
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