Reino Unido

On a successful performance of Verdi’s soap opera

Enrique Sacau
On a successful performance of Verdi’s soap opera
Londres, jueves, 8 de febrero de 2007.
The Royal Opera House, Covent Garden. G. Verdi, Il Trovatore. Elijah Moshinsky, director. Dante Ferretti, set designs. Anne Tilby, costume designs. Mike Gunning, lighting. William Hobbs, fight arranger. Raymond Aceto (Ferrando), Catherine Naglestad (Leonora), Kishani Jayasinghe (Ines), Anthony Michaels-Moore (Conte di Luna), Marcelo Álvarez (Manrico), Stephanie Blythe (Azucena), Haoyin Xue (Ruiz). Orchestra and Chorus of the Royal Opera House, Covent Garden. Renato Balsadonna, chorus director. Nicola Luisotti, conductor

From the very first bar, I find myself glued to my seat when seeing a Verdi opera. It’s like a slap in the face, followed by an irresistible magnetism that drags me to the depths of humanity’s rawest feelings. Despite the fact that this happens to me every time I see one of Verdi’s operas, it always comes as a surprise. Perhaps it is because I tend not to believe in their subjugating power until I am there and I am cruelly reminded of it. At the end, I feel emotionally exhausted and profoundly happy: the former because I have been confronted with the wonders and miseries of humankind; the latter because these feelings have been wrapped in most seductive and sensual music. I believe somebody should dress up as Verdi and take a bow at the end of the show, so we can thank the maestro, once again, for having written such amazing pieces. On…

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